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一年一度的大师班！一期一会的樱桃教授！

AIVA再次联手昊美术馆以“叙事性”为题展开讨论，

将邀请不同领域的神秘大咖

在昊美术馆开展艺术跨界分享会，

以及在AIVA带来一场三日工作坊

今天，AIVA还为大家带来重磅福利

希望对当代首饰感兴趣的朋友

一起相聚在这次难得的大师班哦！

（课程结束时学员可获得教授签名的结课证书）

首先让我们一起来了解

由Norman Cherry带来的全新大师班：

用首饰说故事：关于我们的周遭与生活环境

Constructing a narrative : 

Telling a story through jewellery and object.

Masterclass by NORMAN CHERRY

Norman Cherry

独立首饰艺术家、策展人和顾问。在当代首饰领域享有盛誉。他曾在英国林肯大学担任副校长，在那之前他还是著名英国伯明翰城市大学珠宝学院院长。他的个人作品曾在很多国家展出，并被不同国家的个人和公共机构收藏。现担任南京艺术学院客座教授，也是上海大学的特别顾问教授。他策划的艺术项目包括众多国际性展览，例如，广受赞誉的由澳大利亚和英国珠宝艺术家共同完成的重大国际巡回珠宝展——“移植：场所和文化意识”，以及与英国工艺设计中心联合主办的于2016年至2017年间在英国巡展的“他山：中国当代珠宝展”。Cherry教授对艺术家和设计师的创作想法和行为有着浓厚的兴趣，特别是如何借由绘画和触觉体验丰富创造力，即我们的大脑对材料及材料的独特性能做出反应，由此产生独特新颖的艺术效果的方式。他的《国际珠宝设计大师课》一书，研究了多位国际首饰艺术家的创作方式，并且记录了具体项目从想法到实践的完整过程。

Norman Cherry was formerly Pro Vice Chancellor and Head of the College of Arts at the University of Lincoln. Currently he practises as an independent artist, curator, and consultant. An internationally recognised expert in the field of jewellery, prior to his appointment at Lincoln in 2008, he was Head of the renowned Birmingham School of Jewellery. His work has been exhibited extensively internationally and many of his pieces are held in private and public collections throughout the world. One of his medals is held by the British Museum in their Contemporary Collection. He is a regular speaker at national and international conferences and has undertaken consultancies in several countries, including Brazil, South Africa, Hong Kong, Sri Lanka, and Jordan. He is also a Visiting Professor at Nanjing University of The Arts and a special consulting Professor at Shanghai University. His curation projects have included several international exhibitions, most notably “Transplantation: a Sense of Place and Culture”, a significant exhibition of work by Australian and British jewellery artists. He has a particular interest in how artists and designers think and act, especially how creativity is informed by drawing and the haptic process: the way our brains react to materials and their unique properties. His book “Jewellery Design and Development: from concept to object”, published by Bloomsbury in 2013, examines the creative processes of several international jewellery artists as they record specific projects from ideas generation through to completed objects.

关于叙事性首饰，

有人对此并不陌生，

也有人从来没有听说过，

还有人一直听说却从未理解。

其实所有首饰都具有某种叙事性，

正如樱桃教授所说：

“每一件首饰背后都有它自己的故事。”

这些故事也许来自于作品所使用的材料，

也许来自于作品的颜色或形状，

也许来自于艺术家制作的过程，

也许来自于欣赏和佩戴它的人。

这些故事可以连接艺术家和佩戴者，

可以分享相似的经历，

可以引起情感的共鸣。

Norman Cherry自己策划的展览“Transplantation: a Sense of Place and Culture”，邀请了来自英国和澳大利亚的12位当代首饰艺术家。英国与澳大利亚之间共同的历史记忆通过艺术家个人的经历和感受得以体现。他们不断探索自己国家的文化，历史和艺术的变迁，并用首饰的形式表现出来。下面将以参展艺术家Anna Davern和Roseanne Bartley的作品为例为大家讲述叙事性首饰背后的故事。

Transplantation: A Sense Of Place And Culture is an exhibition of 12 contemporary jewellery artists from the United Kingdom and Australia, curated by Professor Norman Cherry. There is a shared history between these nations, which is made evident through the artists’ exploration into their own experiences of cultural, ancestral and artistic transplantation.  Anna Davern and Roseanne Bartley are two invited artists in the exhibition. Now we are going to see what Narrative Jewellery means for them.

Anna Davern

The Duke of Devonshire

2011

Reworked biscuit tin, sublimate printed steel, garnet beads, silk thread, copper

120 x 60 x 5 mm

Photographer: David Withycombe

上图的作品来自于Anna Davern

她的作品用独特的幽默

来体现自己“澳大利亚人”的身份

图中作品由回收的锡制饼干盒制成，

艺术家借此暗示英国文化侵入澳大利亚的殖民历史

回收锡仿佛在嘲讽英国人享用下午茶的消遣。

Anna Davern often investigates the idea of ‘Australian-ness’ with a fittingly cheeky sense of humour and resourcefulness. Her work refers to the issues of colonisation. She has collaged images from old biscuit and confectionary tins, contributing to the historical element of the work. There is a story in the recycled tin, which highlights the British cultural intrusion onto Australia; the recycled tin playfully hinting the British pastime of enjoying tea and biscuits.

Roseanne Bartley

Seeding the Cloud - a walking work in process

2010

plastic, wood, silk

上面这件作品来自首饰艺术家Roseanne Bartley

材料来源于她在墨尔本的街道、公园、公交车站边

捡到的不值钱的塑料或者是木头碎片

这件作品会随着艺术家不断地行走、收集而增加

物品、时间和地点与佩戴者之间互相交织

Roseanne Bartley's  jewellery is produced from materials left behind, discarded and dismantled. Her method of collecting is a process called surface archaeology, a method that enables her to observe, survey and gather material from sites in her neighbourhood. The materials Roseanne collects reveal aspects that are unique about a place or a person.

Brooch made by Norman Cherry

在大家热情的号召下，

樱桃教授再次回归！

还为大家带来了全新的工坊内容！

如果说之前的工坊偏向金工和技术，

那么这次的工坊则是关于创意和概念，

樱桃教授将带领大家以我们的日常生活为出发点，

用首饰来讲述自己的故事。

 课程安排 

Day 1   4/5

上午：导览观展——昊美术馆新展 Quayola 个展 “非对称考古学：凝视机器”

下午：艺术分享——part.1  樱桃教授个人作品分享会+大师班 ；part.2  关于 “叙事性”的跨学科讨论（跨界包含导演、医生、艺术家等多位嘉宾）

Day 2   4/6

上午：寻找灵感——在樱桃教授带领下，学员们一起在城市漫步，搜寻可以使用的素材

下午：发散思维——共同讨论搜集到的素材，通过想象力和创造力将素材发展成有趣的故事

Day 3   4/7

上午：提升设计——学习如何提取故事中的元素，发展出属于自己的设计

下午：动手制作——制作模型或材料实验，在教授帮助下，做出属于自己的叙事性首饰

Day 4   4/8

上午：完善制作——在教授帮助下，完善自己的叙事性首饰

下午：分享回顾——成果分享并总结

Masterclass by Norman Cherry:

Constructing a Narrative: Telling a Story Through Jewellery and Object

First Day: 
Morning: Participants have the option to visit the exhibition 'Asymmetric Archaeology: Gazing Machines' by Quayola at HOW Museum.  There’s no entrance fee for our masterclass participants so we urge you to take the chance to see this inspiring display.
13:00: At HOW Museum Professor Norman will give an overview of the masterclass and talk about some of his works to the participants. 

14:30: We will attend a seminar at HOW Museum, where Professor Norman will join other recognized speakers from various disciplines to discuss about “Narrative”.  After the seminar there will be a book signing session where participants could win the signed book “Jewellery Design and Development: from concept to object” by Professor Norman.

Second Day
Morning: We will walk the city of Shanghai with Professor Norman. Along the way participants can document or collect anything that interest them.
Afternoon: We will start a creativity session, where participants will transform the materials collected in the morning to interesting stories with their imagination. 

Third Day
In the studio we will help participants to employ techniques to turn the stories into design. Participants will be able to bestow new meanings to an item or a concept through the process of “recycling” and more.  It is possible that elements be extracted and purified to become the participant’s signature design.

Fourth Day
Participants will have the option to turn their design into real piece of work.  Our goldsmith tutors at AIVA will provide technical supports, so it is possible for participants with no background in craft to make a real piece of jewellery/object that’s designed by themselves.

We will examine how a narrative can be constructed, how our imagination can give new life and real or invented histories to what might appear to others as just everyday disposable objects. By the end of the Masterclass, participants should feel confident in their individual abilities to generate ideas, develop narrative themes, and translate these into items of jewellery or small objects which can tell their own stories and engage an interested public.

名称：用首饰说故事：关于我们的周遭与生活环境

教授：Norman Cherry

语言：中/英

时间：4月5号，6号，7号，8号

地点：昊美术馆 + AIVA当代首饰工作室

要求：所有对当代首饰感兴趣的人

费用：4200元/人，4人开班（下有福利）

（费用包含授课费、基本耗材工具及工作室使用，不包括贵金属及其它工作室没有的材料，如有特殊需要，可自行准备或提前向工作室预定。）

重磅福利

3/21-3/30，我们将进行为期10天的

大师班限时优惠

（怎样描述这次优惠力度有多大呢？

主页菌想命名它为公益课！）

我们希望有更多在读艺术生或高校老师参与进来

共同交流分享国际当代首饰艺术的魅力！！

 优惠方案如下：

3月21-24日报名的学员，立享原价7折优惠，

即2940元 

3月25-27日报名的学员，立享原价8折优惠，

即3360元

3月28-30日报名的学员，立享原价9折优惠，

即3780元

（看准了时间下手啊！错过不再遇见！）

除此以外，参与工作坊的学员将

免费获得昊美术馆新展

——夸尤拉个展“非对称考古学：凝视机器” ，

原价100元门票一张

以及（对，还没有完！）

每位报名工作坊的学员都将获赠

樱桃教授亲笔签名《国际珠宝设计大师课》一本